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W-12
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W-12
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Related Links:
Brochure (PDF)  |  Front View  |  $ Request Quote

Features    
 Overview
                                                                            
three stereo main busses, each with analog and digital outputs
twelve A/B dual source stereo line inputs (analog or digital)
two microphone preamps
uncompressed 24-bit operation (44.1 or 48kHz)
all electronic switching with machine control
phone channel with talkback
separate CR and studio monitoring (w/TB)
switched VU meters
built-in cue speaker with level control
headphone jack with built-in amp
solid state LED illumination
The new W-12 from Audioarts targets small to mid market radio stations and offers high-end features at an attractive price point.  





Air-3
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Related Links:
Brochure(PDF)   |  Owner's Manual(PDF)   |  $ Request Quote



Features Overview


  • 12 stereo input fader channels
  • 13th phone caller fader w/TB and auto Mix-Minus
  • Two precision mic preamps
  • Switched VU Meters
  • Remote START logic for each fader
  • Two program busses with balanced outputs (switchable stereo or mono mode)
  • Studio output with independent source selection and CR to studio TB button
  • Electronic Switching
  • LED Illumination
  • Table Top Mount
  • Cue Speaker
  • Headphone jack with built-in amp
  • Compact Frame
  • External input feeds the monitor section (for live air or pre-delay air monitoring)
  • USB connection for extra versatility
  • RJ45 connectors for low cost wiring

The Air-3 is based upon a simple premise: Experiences aside, low cost does not have to be synonymous with low quality. When you’ve got Audioarts’ experience and expertise, value engineering is a simple formula. First, carefully define the features your customers require. Design cleanly with an eye toward quality and durability. Manufacture in an efficient manner, utilizing the best of computer and machine technology.

The Air-3 design utilizes top grade components and circuits for superb performance. With basic features like machine control, cue, talkback, and mix-minus included, it's perfect for smaller stations looking to upgrade as well as for larger facilities in need of an aux studio or newsroom console.



   
Air 1

 

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Related Links:
Hi-Res Brochure (PDF)  | Printer Friendly Brochure (PDF)  |  Specs |  Front View  |  Rear View 
| Dipswitch View  | $ Request Quote
 
Features Overview
   

DUAL PROGRAM BUSSES
Can be stereo or mono sum

CUE
Can automatically interrupt main
monitor when activated

SWITCHED METER
Displays PGM 1, PGM 2 or EXT

MONITOR SOURCE SELECT
Listens to PGM 1, PGM 2 or EXT

DUAL MONITOR OUTS
Both main stereo monitor and
headphone

LONG-THROW FADERS
on inputs and monitors

DUAL MIC PREAMPS
super quiet high performance

SOLID STATE ILLUMINATION
on all switches

BUILT IN HEADPHONE AMP
+20dB output

ON-AIR INDICATOR
lights when an input channel is ON and
PGM 1 is assigned

The NEW AIR 1 has everything you need for on-air, production, news applications, remotes or pod casting at a fraction of the cost of larger consoles.This is Audioarts most compact design yet; it conserves studio space and is ideal for remotes.

The AIR 1 accepts 2 mono microphone inputs and six stereo inputs that can be routed to one or both of the console’s stereo outputs, along with a comprehensive metering and monitoring section usually found in larger designs. Bottom-mounted dipswitches are included for easy programming.

 

Bottom mounted

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Dimenions: Width (left-to-right) 15-1/4", Depth (front-to-back) 11-1/2", Height 2-1/2"

 





D-75 Back to Top
D-75
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Related Links:
Brochure (PDF)  |  Front View  |  $ Request Quote

Features Overview


Modular plug-in design
Four stereo output busses (PGM, AUD, AUX, UTL)
Both digital and analog outputs
Input channel A/B source select
External rackmount power supply
Universal opto-isolated mic and line control ports on all input modules
Direct digital dual domain (VU and floating fullscale digital peak) LED meter  displays
Any combination of analog and digital line inputs
Available in 12 (13 max) and 18 (21 max) input channel mainframes
32,44.1 or 48kHz console clock rates
Optional phone module with dual caller support
Flip up meterbridge
 		The new modular D-75 comes with four stereo busses, dual-domain outputs, sample rate conversion on all digital inputs, and interchangeable input module daughter cards for easy analog-to-digital field switches.

New LED meter displays add to the functionality of the D-75 meterbridge with full-scale digital peak plus VU metering. All switching f eatures LED illumination and an automatic timer, built-in machine interface and clock all come standard.

The D-75 may also be ordered with an optional SUPERPHONE module, which supports two callers.The compact, tabletop design, the D-75 is currently available in both a thirteen and twenty-one fader input mainframe.




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Related Links:
 Brochure (PDF)  |  Front View  |  $ Request Quote

Features Overview


Fully integrated network system that allows autonomous console operation when needed
Net 75 panel allows 6 faders within D-75N to have access to thousands of system  resources
Net 75 panel providess seamless integration with D-75N console
Input Modules equipped with 8 Character LED displays, rotary source selector and take button
Accepts analog and digital formats
Single CAT5 connection allows for bi-directional studio and TOC signal sharing

 The Net-75 Panel is designed to combine work surface technology with a standalone console.

The D-75N Digital Audio Mixing Console can be modified with the Net-75 panel to provide a fully integrated network system with the option of autonomous console operation when needed.

 Four output busses along with eight digital inputs and outputs are provided within each panel. Six faders within the D-75N will have access to thousands of both analog and digital system resources.

 Input modules are equipped with 8 character LED displays, rotary source selectors and take buttons.




R-55E Back to Top
R-55E
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Related Links:
Brochure (PDF)  |  Front View  |  $ Request Quote


Features Overview


Two VU meter pairs (Program and Switched)
Two Stereo Program Busses, Two Mono Busses
Low Profile Countertop installation
Rackmount Power Supply
Built-In Cue Speaker With  Amplifier And External Cue Line Output
All Switches LED Illuminated
Talkback
Flip-up meterbridge
A/B Inputs
All switches LED illuminated
Automatic timer and clock
 The R-55E HAS THE FEATURES ENGINEERS WANT: two stereo program busses and two mono busses—one pre and one post fader (perfect for backfeeds or on-the-fly mix-minus),  phone caller support  utilizes  Wheatstone’s exclusive Bus-Minus® circuitry, which generates mix-minus caller feeds with the simple push of the  phone module’s bus assignment switch. Both control room and studio monitoring with talkback are provided, including both pre and post studio and headphone level pot monitor feeds. You can even choose a second monitor module for studio two/headphone two output feeds, giving you plenty of monitoring flexibility. And while the frame is compact, it can accommodate up to 24 input  & accessory modules in any combination. And because all switching is electronic (and all switches are LED illuminated) you can count on the ultimate in reliability. This is a truly versatile and compact Audioarts console!





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